• อัลบั้ม • Project: Driver • YouTube ได้รับอนุญาตจาก • The Orchard Music (ในนามของ Shrapnel Records, Inc.); The Richmond Organization (Music Publishing) และสมาคมจัดเก็บค่าลิขสิทธิ์เพลง 1 แห่ง • • แสดงเพิ่มเติม แสดงน้อยลง.

Listen to him on the cheesy but potent power ballad 'You And I', or the wailing 'I Can See It In Your Eyes' and you'll get a good impression of his capabilities. Of course, there is also MacAlpine, whose leads pepper the album like whorls of leaves on a brisk, breezy autumn afternoon, occasionally self effacing through excess indulgence, but just as often kicking asses to the moon (they could always climb back via his hair). Naturally my preference is for the more raging, Shrapnel-worthy fare here like a 'Nations on Fire', 'Writings on the Wall', and the excellent 'Unknown Survivor', but the band also show their chops at more progressive metal material like the ascending 'Nostradamus' or dreamy 'Slave to My Touch', which burns like hot lead through the chest. If you're seeking cheese, though, these elements also pervade the experience, like the crunchy radio friendly rock of 'Fantasy' or the aforementioned progressive power ballad 'You And I', which delights despite itself thanks to the scintillating clean guitars and Rob Rock's orbiting melodic gravity. The album is dowsed in thick 80s production values like most of the label's roster, but I personally would not have it any other way; it captured a specific, pre-digital edge that most of the other bands of this period were not yet so fanciful of, and thus the records would stand clear of many peers.

Drummer Tommy Alridge has rather enormous credentials, having performed in Motorhead, Thin Lizzy, and the personal retinues of Ozzy Osbourne and Yngwie J. Rob Rock is known for fronting his many solo offerings of traditional Christian metal, but he's also fronted a great number of other bands like Driver (related to this, of course), Warrior, Impelliteri, and Axel Rudi Pell. Closing the quartet is bassist Rudy Sarzo of Quiet Riot, Ozzy Osbourne and Dio fame, to list a few. The Project: Driver album was released through Shrapnel Records in 1986, and the sound had some similarity to other Shrapnel acts like Vicious Rumors, Cacophony, Racer X, and Apocrypha, that being in the thick and hollow tone of the guitars, impressive lead guitar capabilities and melodic vocals. The vocals, in fact, are my favorite part of this album, and perhaps some of the best in Rock's entire career. He's got the perfect mix of soaring power and is very much able to hang on to his cool when he nudges into higher pitched territory. He's also got that commercial appeal that the band are mixing in here with the more serious, fast paced traditional metal, and without his charisma, the record might have been something far less.

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